That’s No Moon, That’s a Book Review!

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Not too long ago, in this very galaxy, Verily, A New Hope brought two pieces of treasured history, Shakespeare and Star Wars, together. That literary geek’s dream now has a sequel: The Empire Striketh Back. If you need an excuse to brush up on your love for Shakespeare, your Star Wars fanatics or that ghastly impression of Yoda, Ian Doescher may have just found it.

From the moment you grasp the book, it hits you that you’re holding something brilliant. A centralised Yoda coated in Shakespearean quilt dominates the cover, surrounded by an exquisite scenery and classic Star Wars characters and vehicles. Together, they mock and complement one another in perfect harmony, with these illustrations continuing throughout the book.

As for the inside, a traditional Shakespeare story awaits you, only this time set in space. Once you begin to read the prologue, you see what Doescher is trying to do – translate The Empire Strikes Back’s dialogue into Shakespearean. Take Han Solo’s “Punch it!” line and you get “Anon, Chewbacca, lead us to our fate!”. The effect is simultaneously humorous and impressive in that it feels authentic for Star Wars and Shakespeare fans alike.

Like So!
Like so!

This isn’t just in Doescher’s dialogue, but in his presentation of each and every page. The book is divided into five Acts, each divided into Scenes, each Scene presented in the form of a traditional Shakespeare play. You have your characters and stage directions, the use of iambic pentameter and prose, and just about every Shakespearean device you could name. From reading the Afterword, you can tell that the man knows his stuff.

Don’t assume that he is simply a scribe – he has his own, literary imagination to toy with. Through his use of monologues, you gain an extended insight into the characters and themes of The Empire Strikes Back. Some of them are suitably hilarious (every now and again, Chewbacca and R2-D2 get their own, dramatic speeches), but the majority heighten the film to another level of ass-kicking sophistication.

A minor criticism is that, just like with the first two Harry Potter films, if you’ve experienced it before, you’ll get a strange sense of déjà vu. The plot almost entirely follows that of the film (save swapping a few scenes around), which becomes more obvious when you follow the book alongside the film like a script. That’s to be expected, as the surprises and changes are intended for the dialogue.

And so, once I finished this heroic tale and chuckled at its closing sonnet, all I could do was await The Jedi Doth Return. Shakespeare and Star Wars fans, with criticisms considered: this is the spoof you were looking for.

 

G.I. No – Ending Gender Division in Children’s Books

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“The Hunger Games… isn’t that a girls’ book?” – this was the lukewarm reception I received from my sister when I told her that I’d finally started reading ‘The Hunger Games’ trilogy in anticipation of the new film. Understandably, the same sort of statement would have been said by me if I caught her reading Captain Underpants. Was it just one of those “sibling comments”, or has society not progressed when it comes to gender perceptions in literature?

These problems have been prevalent in kids’ products for generations, specifically in fashion, television and food. ‘Friends’ taught us that it isn’t cool for boys to be playing with a Barbie, but instead they should be pretending to shoot their dad with a ‘G.I. Joe’ doll; yet the recent ‘Let Toys Be Toys’ movement is already putting sitcom scenarios like that to bed. ‘Let Books Be Books’ is next in line and it seems to have arrived at the perfect time if views on the entire market are to change.

This recent push by parents to break down ‘girls’ and ‘boys’ categories in books has been met with a positive response from numerous retailers and book publishers. From Toys R Us to Usborne, the publisher behind the likes of ‘Girl’s Activity Book’ and ‘Boys Activity Book’, it seems that there are plenty of companies willing to put an ender to gender-stereotype reinforcements and move forward with the rest of society.

Funnily enough, when I was back at sixth form, we hosted a ‘Pirates and Princesses’ day to raise money for local charities. Of course, I could probably guess who was going to dress as whom – oh boy was I wrong. Some of my male friends came gallivanting through the main doors in their sparkly dresses, when two minutes later they would be kidnapped by a gang of Somali pirates, both male and female!

Now, I don’t mean to be encouraging cross-dressing, piracy or kidnapping in that example, but it just shows that gender doesn’t define what views we impose on each other, particularly in children’s books. There is a vast amount of literature out there that can appeal to a vast range of interests and beliefs, without catering to a certain gender, race etc.

I may be too young to want kids myself, but it gives me a wave of relief to know that in ten years’ time, my child may not have to make the choice between pink and blue, ‘G.I. Joe’ and ‘Barbie’ or Jacqueline Wilson and Chris Ryan. Imposing gender views on children before they’re old enough to establish their own shouldn’t be encouraged, especially in books, which take such a vital role in a child’s cognitive development.

If movements such as ‘Let Toys Be Toys’ and ‘Let Books Be Books’ can work to reinvent the children’s market, then that can only mean good news for the future. Ross, pivot your views elsewhere – ‘Let Books Be Books’ gets a great big thumbs up from me!